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View Full Version : Another great vid


Phoinix
9th May 2017, 05:40
https://www.facebook.com/aviacaototal/videos/1735805693102812/

Bravo73
9th May 2017, 06:02
I bet the neighbours love them!

tartare
9th May 2017, 06:54
That's... interesting flying!
Where is that - NYC - I thought I saw the stars and stripes?
And is a machine a Jetranger - it looked like it from the cabin windows..?

9th May 2017, 06:56
Of course, they will have done a full daylight wires recce before doing that in the dark..........wouldn't they????

Would be interesting to know the justification for that seemingly pointless placing of a helicopter somewhere with few options in the event of failure.

Encyclo
9th May 2017, 09:56
Must be that new UBER service they've been talking about :}

Fly Safe, Always :ok:

MikeNYC
9th May 2017, 15:02
Fairly certain that's Chicago, in an AS350. The pilot flying that job is a Chicago local that frequently flies low-level film jobs and is known for his work on the many motion pictures that have been filmed in and around Chicago.

Streets have been closed and MANY recce's have been done. Engine failure? Put it down on the closed street. It's not a willy-nilly operation, but rather a well rehearsed one.

It's clearly not pointless to the film crew, as this is done at great planning, permitting, and expense.

DOUBLE BOGEY
9th May 2017, 16:41
MikeNYC....yeah but its a great video to get everyone morally outraged cos some b****d is having more fun than we are!!

Phoinix
9th May 2017, 17:08
Risk wise, this one could have been clearly done with just the same or better quality, with a drone...

Nubian
9th May 2017, 18:18
Street looks pretty open to me. I can see cars moving and pedestrians.

Any chance they can all be actors/extras.....?

MikeNYC
9th May 2017, 19:05
Any chance they can all be actors/extras.....?

Ding ding ding.

And an urban environment like that can actually be quite challenging for a drone, being more affected by a hostile RF environment and by frequently changing winds. Couple that with potentially low temperatures that affect battery life and with a flight path that may make it impossible to maintain LOS if rounding a corner, and a full size clearly becomes the logical option.

LRP
10th May 2017, 01:31
Ding ding ding.

And an urban environment like that can actually be quite challenging for a drone, being more affected by a hostile RF environment and by frequently changing winds. Couple that with potentially low temperatures that affect battery life and with a flight path that may make it impossible to maintain LOS if rounding a corner, and a full size clearly becomes the logical option.

Plus, it's tough to hang an Arriflex on a drone.

0ttoL
10th May 2017, 04:51
I believe this might have been from the shooting of the Batman movie, The Dark Knight Rises.

Might be this aircraft. Apparently, with an IMAX camera attached
https://www.youtube.com/watch?v=bV8PhIK7lMY

bV8PhIK7lMY

Phoinix
10th May 2017, 05:19
Ding ding ding.

And an urban environment like that can actually be quite challenging for a drone, being more affected by a hostile RF environment and by frequently changing winds. Couple that with potentially low temperatures that affect battery life and with a flight path that may make it impossible to maintain LOS if rounding a corner, and a full size clearly becomes the logical option.


Most of the issues stated can be overcome, but looking at that IMAX camera, nope, not a drone job...

RMK
10th May 2017, 10:07
The location is Lasalle Street in Chicago (facing south); the building at the end of the street is the Chicago Board of Trade. There are not any wires/cables over this street.

jimcarler
10th May 2017, 13:31
Chicago has been used for quite a few films recently - Suicide Squad, Transformers, etc. Straight streets and high buildings create a great atmosphere.

Still, skillful flying in tight conditions - steady hands needed...

MikeNYC
10th May 2017, 15:29
Plus, it's tough to hang an Arriflex on a drone.

These days we're flying Alexa Minis with zoom lenses and full FIZ control on drones, but not IMAX or Alexa65 yet. One big limiting factor is the 55lb MAUW limit the FAA imposes. It's straightforward to get waivers for many of the new Part 107 restrictions, but the 55lb limit is less simple to do with the flexibility needed for film shoots.

There are certainly drones out there with the lifting capacity, but when you're talking about a machine that can fly a 70+lb payload, most of the time it's easier to bring in a full-size than get a one-off waiver and bring in a rare super-heavy-lifter UAV.

BigMike
10th May 2017, 21:21
Flying between buildings...?

Thats old hat... 😉

Blue Thunder final scene in downtown LA anyone...

BigMike
10th May 2017, 22:10
Risk? ...

How it was done in the good old days...
Need a cockpit shot of the pilots? Easy...


http://i8.photobucket.com/albums/a3/Micksphotos/BudwHUlCQAEIhxI.png

10th May 2017, 22:59
I'm afraid I took it to be a police helo doing something daft - I know all film flying is tightly controlled and very safe, I just didn't realise that was what it was.

Phoinix
11th May 2017, 07:08
Neither did I. It looked to me like one of those South American road tunnel adventures.

southerncanuck
11th May 2017, 21:20
The mount used here is our AF200, we just did an upgrade to the existing STC test flight last week. 36" Pictorvision Elcipse camera ball, big camera time!

megan
12th May 2017, 00:56
southerncanuck, what does that proboscis weigh? Require ballast down the back?

MikeNYC
12th May 2017, 02:05
Megan, yep, most heavy payloads (what one would use the AF200 vs the AF100 single-pole mount for) require a rear ballast cage, and also some people swap out the tail cone with one pre-ballasted. Here's what the rear ballast may look like with an AF200 (dual pole) mount.